Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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unknow artist
European city landscape, street landsacpe, construction, frontstore, building and architecture. 119

ID: 46594

unknow artist European city landscape, street landsacpe, construction, frontstore, building and architecture. 119
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unknow artist European city landscape, street landsacpe, construction, frontstore, building and architecture. 119


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unknow artist

  Related Paintings of unknow artist :. | European city landscape, street landsacpe, construction, frontstore, building and architecture. 106 | Poultry 121 | Classical hunting fox, Equestrian and Beautiful Horses, 072. | Watts mortuary chapel Compton | The Torture of St Victor |
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Raden Saleh
(1807 or 1811 - April 23, 1880) is one of the best known painters from Indonesia and a pioneer of modern Indonesian art. He was considered to be the first modern artist from the Dutch East Indies (now Indonesia), and his paintings corresponded with nineteenth-century romanticism which was popular in Europe at the time. He also expressed his cultural roots and inventiveness in his work. Raden Saleh, was born into a noble Javanese family. He was grandson of Sayyid Abdullah Bustaman from his mother's side. His father was Sayyid Husen bin Alwi bin Awal bin Yahya, an indonesian of arab descent.
MIGNON, Abraham
Dutch Baroque Era Painter, 1640-1679 Dutch painter, was born at Frankfurt. His father, a merchant, placed him under the still-life painter Jacob Marrel, by whom he was taken to the Netherlands about 1660. He then worked under Jan Davidszoon de Heem at Utrecht, where in 1675 he married the daughter of the painter Cornelis Willaerts. Sibylle Merian (1647-1717), daughter of the engraver Matthew Merian, became his pupil and achieved distinction as a flower painter. He died at Utrecht. Mignon devoted himself almost exclusively to flowers, fruit, birds and other still-life, though at times he also attempted portraiture. His flower pieces are marked by careful finish and delicate handling. His favourite scheme was to introduce red or white roses in the centre of the canvas and to set the whole group of flowers against a dark background. Nowhere can his work be seen to better advantage than at the Dresden Gallery, which contains fifteen of his paintings, twelve of which are signed. Six of his pictures are at the Louvre, four at the Hermitage, and other examples are to be found at the museums of Amsterdam,






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